And now for another eternally classic pair of songs that plays an extremely similar role in its own game:
Gaur Plains from Xenoblade Chronicles: Grand, adventurous, heroic and epic to the absolute extremes for its first half, musically illustrating how dauntingly massive the area that it plays in (along with the general scope of the game itself) is while also perfectly encapsulating the incredibly rejuvenating feeling that comes from finally being let out into the open, green outdoors after spending years upon years holed up in a backwater dump like Colony 9 like how Shulk did during his childhood and all of the other events leading up to the game proper:
(And) Field Of The Machinae from Xenoblade Chronicles: Serves as one of the first indications that the Mechonis actually isn't so bad (morality-wise) after all; despite starting out incredibly slow and ominous, it ever-so-gradually ramps up into becoming hands-down one of the most ludicrously epic Japanese symphonies you will ever hear in a game, giving the player a remarkably powerful sense of just how utterly beautiful of a work of technologic art they are climbing here; despite also being practically a polar opposite to its "green and lush" counterpart, it still manages to give off much of the same wonderfully uplifting vibe nevertheless (needless to say, it's by far the most blatantly anime-sounding song out of all three featured here):
Oh, and just as a bonus, Satorl Marsh (Night), which basically combines the best of both worlds into one breathtakingly glorious work of musical art:
"Iste natura (This nature) Iste terra (This land/earth) Iste mare (This sea) Eso (Eaten) Iste natura (This nature) Iste terra eso (This land is eaten) Iste natura eso (This nature is eaten)"